Heartspace, my debut solo exhibition at The Red Head Gallery, is in its final week this Weds–Sat noon–5pm. I will be there for the final Saturday (Nov 23) all afternoon, or as close to it as I can manage!
After that the work comes down except for some of the small works which will be part of the group show that follows right after mine, #foxypopup.
Heartfelt thanks to my amazing sponsors!
I have thanked my sponsors in print at the show itself, but it's about time I thanked them here on my website.
They took some pressure off, lightening the load on my mind as I headed into, and worked away in, my studio, and they also made some things possible, thereby helping to make this show as interesting and diverse as my ideas called for.
Here are my generous sponsors:
Installation views of Kim-Lee Kho: Heartspace at The Red Head Gallery through Nov 23, 2019.
My Heartspace solo exhibition is in its final week, continuing through Saturday, November 23 at The Red Head Gallery.
I'll be there in person on the final day, come and say hi! Open noon–5pm.
You are invited to my first solo show at The Red Head Gallery, where I became a member in 2018.
For more information about the content of the show, click here to see the exhibition page.
This show would be less than I’d hoped if not for the generous support of its/my sponsors.
Many thanks to all of the individuals, and one organization, who chose to support this project!
If you are curious about sponsoring new work, in any amount starting at just $10, please visit this page (click here) to find out more.
We had an enthusiastic group at Saturday's painting demonstration at Otto Art gallery in Toronto. I showed how I approach painting two series: my 'Aroundeds' and the 'Radiants' series that gave the show its title. I will continue to work on the 'Radiant' demo painting and post photo updates here when ready.
Sandra Otto, the gallerist, shot video of most of the event, which you can watch below in two parts.
As for the 'Arounded' painting, here are progress shots of the drying process so you can see how the painting reveals itself over time as it dries. I will continue to post more until it is pretty much 100% clear.
Please check back for even more updates/photos and links!
And if you found this at all interesting, please give this post a like or a tweet – it helps a lot, thanks!
Last week I gave a talk with a demonstration component to members of the Oshawa Art Association. My main demo was of the process I use to make my 'Arounded' acrylic paintings. A magical part of the process is watching the painting emerge as the paint dries.
At the talk I promised that I would share photos of the drying process because the changes are so dramatic as the gel portion dries, due to the nature of acrylics: when wet, the gel or mediums are milky white; they dry clear (more or less, depending on medium and other factors).
Spots with the very thickest applications can take a considerable time to dry fully. Extremely thick applications done all at once may never truly clarify.
Although there are small remaining gel "peaks" that are not yet clear, this sequence gives you a good look at the drying effects over time.
As a visual artist I like nothing more than getting up to my elbows in paint or little plastic toys, or wading in at the deep end in pursuit of an idea. When I am not teaching others in a similar vein, you can find me researching, writing and noodling around in my studio, seeing where my latest lines of inquiry lead me.
All images and content on this website © Kim-Lee Kho 2005–2018 except as indicated. All rights reserved. No reproduction without express, written permission.