'Heartspace Hotel' is my surprise solo show for 2020 (I haven't told anyone about it until the last week couple of weeks, because I didn't know about it myself, lol!).
Occupying the third floor of The Gladstone Hotel in downtown Toronto, an amazing boutique art hotel renowned for its high profile art & design events and exhibitions, this multimedia show features a new combination of my heart-based work seen at my 'Heartspace' and 'A Full Heart' solo exhibitions in 2019, some of which have only ever been shown once, and even a couple of pieces I've never shown before.
Artworks include my longest digital print ever at over eight feet long, shown only once before in March 2019 at Cedar Ridge Creative Centre's Studio Gallery.
Also: many more prints, three of my large scrolls with giant image transfers, fibre-based work, paintings, abstract photography, and two more digital prints I've only exhibited once before.
The opening reception coincides with the one for the second floor exhibition so it's sure to be a happening evening – hope you can make it!
You are invited to my first solo show at The Red Head Gallery, where I became a member in 2018.
For more information about the content of the show, click here to see the exhibition page.
This show would be less than I’d hoped if not for the generous support of its/my sponsors.
Many thanks to all of the individuals, and one organization, who chose to support this project!
If you are curious about sponsoring new work, in any amount starting at just $10, please visit this page (click here) to find out more.
We had an enthusiastic group at Saturday's painting demonstration at Otto Art gallery in Toronto. I showed how I approach painting two series: my 'Aroundeds' and the 'Radiants' series that gave the show its title. I will continue to work on the 'Radiant' demo painting and post photo updates here when ready.
Sandra Otto, the gallerist, shot video of most of the event, which you can watch below in two parts.
As for the 'Arounded' painting, here are progress shots of the drying process so you can see how the painting reveals itself over time as it dries. I will continue to post more until it is pretty much 100% clear.
Please check back for even more updates/photos and links!
And if you found this at all interesting, please give this post a like or a tweet – it helps a lot, thanks!
Last week I gave a talk with a demonstration component to members of the Oshawa Art Association. My main demo was of the process I use to make my 'Arounded' acrylic paintings. A magical part of the process is watching the painting emerge as the paint dries.
At the talk I promised that I would share photos of the drying process because the changes are so dramatic as the gel portion dries, due to the nature of acrylics: when wet, the gel or mediums are milky white; they dry clear (more or less, depending on medium and other factors).
Spots with the very thickest applications can take a considerable time to dry fully. Extremely thick applications done all at once may never truly clarify.
Although there are small remaining gel "peaks" that are not yet clear, this sequence gives you a good look at the drying effects over time.
As a visual artist I like nothing more than getting up to my elbows in paint or little plastic toys, or wading in at the deep end in pursuit of an idea. When I am not teaching others in a similar vein, you can find me researching, writing and noodling around in my studio, seeing where my latest lines of inquiry lead me.
All images and content on this website © Kim-Lee Kho 2005–2018 except as indicated. All rights reserved. No reproduction without express, written permission.