I was delighted to be featured in episode 36 of Stella's Studio on Camoes TV, a show about art and artists, music and musicians. In it I talked about and showed some of my work, I also demonstrated a process I work with a lot.

To prepare for shooting the video, there was the "excitement" of getting my upstairs studio space looking presentable – not to mention my own self, lol – anyone else here find that isolation has made their appearance standards slip a little?

The studio clean-up was necessary because making a TV appearance during the COVID pandemic is a little different than my experiences in the past. The show's crew could not come to my house but neither could I go to their studio, so I had to shoot my own video segments, which the show then added to with still photos, video effects, and most importantly, editing.

My video skills are rudimentary (better than they were a year ago!) and I didn't have much time to shoot my segments, but despite that, and some resulting technical issues Stella and her team made it look much better than I feared, and I am quite pleased with the result.

Here is a link to the episode:
tinyurl.com/yb53th78

My portion of the program starts a at about the 4:45 mark and lasts for 7 or 8 minutes.

I hope you enjoy it!

As I re-build my business, not quite from the ground up, (the foundation remains, but the structures above must be replaced), I find I am spending a lot of time in the realm of not-knowing.

Life under pandemic has changed our rhythms and routines, our customary locations, and how we spend our time. My husband and I (but especially him) used to spend way too much time driving from place to place, because our work was in-person but also in a variety of locations.

Now by building up our tech and online skills, there is so much new and in flux but so much less by way of complications and travel. We just have to adjust to frequently re-arranging our home and studio to accommodate all the new virtual events and courses.

But looking deeper than that, I realize I am accustomed to spending a lot of time in that place of not-knowing, whether I'm developing new work for an exhibition, or at an earlier stage even, when I am excavating in order to discover new ideas in my studio, it is imperative that I enter that psychological space, or I will not get to what matters or what's new. Neither I nor my work would grow.

Other artists may work differently, but I think most have to work like that at some level, (and not just artists either!) or they would not make discoveries. And without locating something new, something fresh, where would art be? It would not move forward, nor would it deepen.

Spring is a season of the new: new growth, new life. And as this weekend is one of sacred spring festivals, Passover and Easter, it may be the perfect time to contemplate this.

​Please share your thoughts in the comments below.

Before I tell you about that though, I want to share with you some thoughts I wrote to someone who needed help and emotional support through her distress at feeling unable to focus, unable to work, unable to settle. I feel it too. So many of us do, even if not all the time. So here is what I would like to say to you:

Nothing is normal right now. Nothing. So be gentle on yourself for not being able to work, and for feeling scattered. That is a natural response to feeling the anxiety of our crisis situation and even trauma and grief at the loss of normality.

We humans adapt to amazing things but to stay healthy in the full sense it is important to do gentle things that nourish, calm and ground you. That will ease the transition to the new normal, and you will feel better for it. 

Activities that get you focused on your body are especially beneficial: movement of any kind and focusing on your senses instead of your thoughts whenever you can, or for part of each day.

Do something with your hands, go outside for a walk if you are healthy (and keep your distance from others). Above all, have patience with yourself and those around you... even for the times that you – or they – lose patience :-)

.  .  .  .  .

On March 20, I started holding Virtual Studio Parties online, via YouTube livestream so that anyone with high-speed internet, no matter how unconfident with their computer, could take part.

It’s a no-cost creative gathering for anyone who’s missing the experience of community, is feeling isolated or anxious, or wants to have some gentle fun in the real-time, virtual, company of others.

People have said it's really helped them and it's something they look forward to now.

If this sounds like it might help you, or just be fun, visit my Virtual Studio Parties page.

​Do you have a suggestion for self-care during stressful times? Please share in the comments.
​

'Heartspace Hotel' is my surprise solo show for 2020 (I haven't told anyone about it until the last week couple of weeks, because I didn't know about it myself, lol!).

Occupying the third floor of The Gladstone Hotel in downtown Toronto, an amazing boutique art hotel renowned for its high profile art & design events and exhibitions, this multimedia show features a new combination of my heart-based work seen at my 'Heartspace' and 'A Full Heart' solo exhibitions in 2019, some of which have only ever been shown once, and even a couple of pieces I've never shown before.

Artworks include my longest digital print ever at over eight feet long, shown only once before in March 2019 at Cedar Ridge Creative Centre's Studio Gallery. 

Also: many more prints, three of my large scrolls with giant image transfers, fibre-based work, paintings, abstract photography, and two more digital prints I've only exhibited once before.

The opening reception coincides with the one for the second floor exhibition so it's sure to be a happening evening – hope you can make it!

Opening reception:
Friday Jan 31, 7-10pm
​Artist talk: 7:30pm

Kim-Lee Kho: Heartspace Hotel
at The Gladstone Hotel
1214 Queen Street West
Toronto ON M6J 1J6

Front Desk: 416.531.4635 x 0
Dinner Reservations: 416.531.4635 x 7130

Thanks so much for being part of my community this year. Buoyed by that support, including my Heartspace sponsors, I was able to take on more, make more, and make more ambitious work – including trying many new media, processes and formats – in the past 18 months than in any previous.

That work enabled me to create and share experiences like my 2018 In Situ Festival room installation; my solo show 'A Full Heart' at the Cedar Ridge Studio gallery, my biggest ever, spanning three rooms in a historic house; Wonderfest in Port Credit a performing arts event where my large paintings set and dressed the stage for singers, musicians and spoken word poetry. 

The culminating event was Heartspace at The Red Head Gallery, my debut solo show there, which included some of my previously shown heart-based work, alongside 47 new artworks in various sizes, mediums and formats.

It is only one month since Heartspace closed. The response, enthusiasm and attendance were amazing, thanks to my community!

I hope you were among those able to attend. If you were, thank you! If you checked it out online, thank you!

This year's holiday card was designed by my partner in life and creativity, Kal Honey, whose most recent show, Signs of Subversion, featured artworks based on (and subverting) the bylaw and road signs of our everyday life.

Heartspace, my debut solo exhibition at The Red Head Gallery, is in its final week this Weds–Sat noon–5pm. I will be there for the final Saturday (Nov 23) all afternoon, or as close to it as I can manage!

After that the work comes down except for some of the small works which will be part of the group show that follows right after mine, #foxypopup.

Heartfelt thanks to my amazing sponsors!

I have thanked my sponsors in print at the show itself, but it's about time I thanked them here on my website.

They took some pressure off, lightening the load on my mind as I headed into, and worked away in, my studio, and they also made some things possible, thereby helping to make this show as interesting and diverse as my ideas called for.

Here are my generous sponsors: 

• Miriam Snell
• Josef (Joe) Rich
• Abigail Johnson
• Joanna Czub
• The Conspiracy to Promote Artists
• Ruth Austin
• Nancy Moniz
• Lindsay Isaac
• Anne Cook

I also owe a very special thanks to Kal Honey, who helps me in every way imaginable. Thanks also to Tim Marshall who along with Kal installed the show so I feel happy every time I look at it!

What a day! I'm feeling so full of gratitude for the many people who came out for the artist talk and opening reception for my 'Heartspace' solo exhibition at The Red Head Gallery in Toronto.

It was so packed that on more than one occasion I had to act like a bus driver and urge everyone to move further inside to make room for the new arrivals!

Wonderful to connect and re-connect with many familiar faces, colleagues, friends, students, sponsors, and even family!

I gave the group a guided tour through the artworks – so many of which merit a little background or additional explanation to enrich the experience rather than replace the personal encounter – covering conceptual, material and 

October 30 to November 23, 2019
Opening Reception:
Saturday, November 2, 1–4pm
​with artist talk at 2pm

The Red Head Gallery
401 Richmond St. West
Ground floor, Suite 115
Toronto, ON  M5V 3A8

Gallery hours:
​Weds–Sat 12–5pm

Watch for sneak peeks on social media!
Instagram
Facebook