KIM-LEE KHO
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My New Colour Diary

10/12/2020

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Day 05
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Day 10
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Day 07
Back in 2010 I gave my second ever presentation as an artist-speaker, called Daily Practices for Artists, looking at the tremendous value they have for our creativity and our “real” work, the forms they can take, how to figure out one that is both appealing and suits your circumstances.

So recently I decided to take my own advice (haha)... again.

I revived an old, not-quite-daily practice from 2009, my Colour Diary. Over the course of ~100 installments, I mixed and painted maybe 1,000 or more colours, into stripes of various widths. 

The original project evolved over time, and ultimately changed me. I never looked at colour the same way again. I was never as limited in my colour thinking (or colour experience) as I was before the Colour Diary.

Each page was improvised. I would begin with a starting point – one day it was the colour of the peanut butter I’d looked at over breakfast – and then respond. 

They also became composed paintings in that I would not work left to right, I would decide on a position and width (they were always vertical stripes on a horizontal piece of water-colour paper, of identical size each time), and both respond to the colours already mixed and applied and to the relative sizes and positions.

Occasionally I would play specific formal colour games, whether out of curiosity or because I didn’t feel inventive enough that day.​

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Day 21
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Part of the collection
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Day 27
Coming back to the New Colour Diary (or Covid Colour Diary), it was an appealing idea to return to it, to play almost entirely with colour again.

Life has been very demanding, between the pandemic situation, the resulting overhaul of our (my husband’s and my) business(es), family medical crises, personal health issues and on and on.

All of that has made time for studio practice difficult and irregular, but it is essential to my well-being, never mind my professional practice! A bite-sized daily practice is exactly what circumstances demanded.

My first change to the original project was to make it digital, so it would be a manageable time commitment for me. Then as soon as I thought that, I knew I wanted to give it a dedicated Instagram account, to share it with the world, or at least that tiny part of the world that either knows or stumbles across me.

So that is where you will find me, posting these little colour meditations, every day whenever possible. My first goal is 100 days, as in #100daysofcolour, and then we’ll see after that.

You can visit it here (even without an Instagram account): 
​https://www.instagram.com/kims.colour.diary/

​Just click on an image to see it larger.

If you have any trouble viewing it there, I have a Flickr album as well, though I do not update it daily:
https://flic.kr/s/aHsmR7BVqf

I hope you will check it out, and that you’ll enjoy it!
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New Show: 'Heartspace Hotel' at the Gladstone Hotel Jan 25– Mar 5, 2020

1/26/2020

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'Heartspace Hotel' is my surprise solo show for 2020 (I haven't told anyone about it until the last week couple of weeks, because I didn't know about it myself, lol!).

Occupying the third floor of The Gladstone Hotel in downtown Toronto, an amazing boutique art hotel renowned for its high profile art & design events and exhibitions, this multimedia show features a new combination of my heart-based work seen at my 'Heartspace' and 'A Full Heart' solo exhibitions in 2019, some of which have only ever been shown once, and even a couple of pieces I've never shown before.

Artworks include my longest digital print ever at over eight feet long, shown only once before in March 2019 at Cedar Ridge Creative Centre's Studio Gallery. 

Also: many more prints, three of my large scrolls with giant image transfers, fibre-based work, paintings, abstract photography, and two more digital prints I've only exhibited once before.

The opening reception coincides with the one for the second floor exhibition so it's sure to be a happening evening – hope you can make it!
Opening reception:
Friday Jan 31, 7-10pm
​Artist talk: 7:30pm


Kim-Lee Kho: Heartspace Hotel
at The Gladstone Hotel
1214 Queen Street West
Toronto ON M6J 1J6

Front Desk: 416.531.4635 x 0
Dinner Reservations: 416.531.4635 x 7130
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Final Week to See Heartspace & Thank You to My Sponsors

11/17/2019

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Heartspace, my debut solo exhibition at The Red Head Gallery, is in its final week this Weds–Sat noon–5pm. I will be there for the final Saturday (Nov 23) all afternoon, or as close to it as I can manage!

After that the work comes down except for some of the small works which will be part of the group show that follows right after mine, #foxypopup.

Heartfelt thanks to my amazing sponsors!

I have thanked my sponsors in print at the show itself, but it's about time I thanked them here on my website.

They took some pressure off, lightening the load on my mind as I headed into, and worked away in, my studio, and they also made some things possible, thereby helping to make this show as interesting and diverse as my ideas called for.

Here are my generous sponsors: 
  • Miriam Snell
  • Josef (Joe) Rich
  • Abigail Johnson
  • Joanna Czub
  • The Conspiracy to Promote Artists
  • Ruth Austin
  • Nancy Moniz
  • Lindsay Isaac
  • Anne Cook
I also owe a very special thanks to Kal Honey, who helps me in every way imaginable. Thanks also to Tim Marshall who along with Kal installed the show so I feel happy every time I look at it!

Installation views of Kim-Lee Kho: Heartspace at The Red Head Gallery through Nov 23, 2019.

My Heartspace solo exhibition is in its final week, continuing through Saturday, November 23 at The Red Head Gallery.

​I'll be there in person on the final day, come and say hi! Open noon–5pm.
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Looking Back at My Own Early Foray into Contemporary Portraiture

5/13/2019

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I’ve been thinking a lot about contemporary portraiture lately, having just given a new talk on the subject, followed by a new weekend workshop.

I’ve been drawing or painting or otherwise making portraits my entire life, and it remains an important aspect of my work.

Nowadays a lot of my portraits are photo-based, as you can see in my posts and website. I got thinking about when I first started working on photo-based and photo-digital portraits, and realized it was for my first solo show as an adult, entitled Face[t]s of Valerie, in 2007. All of the portraits were of my friend Valerie, alone or sometimes in combination with me.

This image was kind of the title piece for the show, and the deepest I explored digitally in it, (the show was multimedia, because I am nothing if not a “multi” kind of artist, lol!). It’s called The Many Facets of Valerie.

In it you can see numerous shots from the bigger shoot, allowing me to show what interested me: the living face of my subject, its variability and expressiveness. “I am large, I contain multitudes” wrote Walt Whitman, as we all are.

So it’s a seminal, developmental piece. It started a train of thought that hasn’t stopped since, though it has branched off and grown in many directions.

19"x13” digital print. And yes, it’s available.

Does this kind of post, deep-diving into an individual piece, interest you? If so, please let me know in the comments. 
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The Many Facets of Valerie by Kim-Lee Kho is a photo-digital portrait that was seminal in my development. From 2007.
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SOLD! And Yes My Artwork Is For Sale :-)

1/26/2019

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My Untitled (Layered Trees) just sold!
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It’s always nice to hear that someone saw my work and both liked it enough and was in a position to purchase it so they could take it home.

“Untitled (Layered Trees)” is one of two artworks sold recently at the Take 2 exhibition at Neilson Park Creative Centre, which has its closing reception this Sunday, 2–4pm. Click here for more details. (On a sidenote, the reception is also an early-bird opportunity to register in-person for spring courses!)

This photo-based mixed media piece is 8” x 8”, on a wood panel, and layers a mounted photo-digital print under an image transfer from a piece of film that I spent considerable time altering by hand before applying.

Trees are a recurring motif in my work now that began to appear regularly once I started my anatomical hearts body of work, because the tree branches are so beautifully analogous to the branching behaviour of veins and arteries. As so often happens, our inner world reflects the outer one, because branching behaviour is a fundamental design structure in nature; it's one that I have become enchanted by. 

I am drawn to the relationship between branches but also to the complexity, which reflects what I experience so often in my own mind and out in the world as I navigate a profusion of sensory inputs and relational ones as well. Complexity can become overwhelming, which some artists (eg Julie Mehretu) communicate (and create) very well.

It's interesting then that for this piece I chose to concentrate on editing the complexity, leaving only small touches of it in deliberate places.

Well that’s all very nice, but none of what I said really addresses the slightly tongue-in-cheek headline I gave this post! 

That headline is rooted in my realization this year that it sometimes isn't clear that my work is almost always available for sale. Some of the more unusual formats might require a little adaptation or customization for a new, permanent home, but most of my work transfers quite easily. 

It’s also true that sometimes when I’ve made a lot of new work for a show or event (like a festival) I’ve worked so hard right up until the installation that I haven't had a chance to work out pricing in time for the opening. So that can be another issue, but it’s only a temporary one :-) 

I’ve had enough people ask that I thought I should clear that up! 

​(Continues below...)
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The four prints I'm exhibiting in Take 2 at Neilson Park Creative Centre through January 27, 2019.
Since I have a couple of solo shows coming up this year – March 9–21 at Cedar Ridge Creative Centre’s gallery (where I will have three rooms in their historic mansion) and in November at The Red Head Gallery in the wonderful 401 Richmond creative arts hub in downtown Toronto – I will be making more new work. My plans include a couple of large pieces but some small and medium as well, including (if my idea works out) some multiples for the Red Head show. Multiples, like print editions, are more affordable forms of artwork than a one-offs like a painting. 

I’ll definitely be showing sneak peeks and works-in-progress on my social media channels, so keep your eye out there! Especially Instagram where you'll find me at @kimleekho.

•  •  •  •  •
Have you ever bought original artwork (includes editions or multiples), or do you have a collection? If so, what inspired/inspires you to make the purchase and take it home (or office, or give to someone)? Was it a feeling, was there a sense of recognition, or something else? 
I'd love to hear your thoughts in the comments below.
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Spring Returns (along with this blog) – A New Artwork

4/17/2017

1 Comment

 
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Spring Returns by Kim Lee Kho, photo-digital, 2017. Prints up to 8.5 x 25.5".
It is Spring, at last. Today has bloomed sunny, full of the busy singing of birds, scrabbling of squirrels.

The trees have fat buds just on the verge but not yet open, meaning we can see the blue sky through graceful networks of branches.

I am recovering from bronchitis, and after my first good night's sleep (and despite my sore ribs) I was moved to make this new photo-digital image “Spring Returns”. It makes me think of cherry and plum blossoms, with the promise (or threat) of spring rain in the clouds behind.

The detail views allow you a closer look.

​Happy Spring everyone!


UPCOMING EXHIBITION:
I have a spring solo show of paintings May 8–20 at Otto Art in The Junction neighbourhood in Toronto, so if you've been waiting for a show in a more central part of the city, this is the one! 
​For more details click here.
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Spring Returns by Kim-Lee Kho, detail view 1.
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Spring Returns by Kim-Lee Kho, detail view 2.
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Why You'll Find My Head in the Clouds So Often

12/30/2016

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It's taken me a long time but I realize now why my head is – and has always been – in the clouds:
I am building immense, elaborate, yet delicate, idea-mansions up there. 
Over time I hope I'll be able to share a lot more of them with you!
​


(By clicking the 'Blue Sky' image you'll be able to see it incorporated into a found object that became part of the 'Containment' installation.)

If you would like to make a contribution to help bring some portion of those mansions to life (even $5 or $10 helps!) please click below and accept my heartfelt thanks.
Help bring my "mansions" to life via PayPal
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Sometimes even my work is in the clouds, not just my head! Blue Sky photo-digital image (2016) by Kim Lee Kho, which formed part of the Blue Sky 3-D piece within my Containment installation at In Situ this Fall. Click on the image to see an installation view.
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Three Giant Scrolls Get an Airing

6/28/2016

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Above: Standing in front of "Double Happiness, Three's a Crowd" scrolls at Art-Spread in Port Credit, June 18/19. Photo by Sandra Robson.

Top left: Drawing Louis Armstrong for the #dailyheroes series live at the same event, with another artist's (Nisreen's) drawing of an imaginary face showing in the foreground. Photo by Meena Chopra.
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Left: Louis Armstrong drawing completed. I chose a serious photo of him to work from because his glorious smile so easily overshadows the man's genuine genius.


It was a busy and fun weekend in Port Credit (Mississauga) on June 18 and 19 at Art-Spread where I was one of over a dozen artists/artisans showing and demonstrating what I do. 
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Lots of people I know came to visit (only one had ever seen the scrolls live before), and if you were one of them, thank you.
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Below: The scrolls provided a focal point for the whole show in that vaulted space. Photo by Sandra Robson.
​

Left: The whole group of us! Photo courtesy Sandra Robson.
This was the first time the scrolls had been on display in four years! I have fresh ideas on where I might exhibit them next. If you have any suggestions, please let me know in the comments below or via my contact form in the menu above.
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Layering Up Nature Photographs Digitally with Non-Digital Sources

3/3/2016

3 Comments

 
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In response to a 7-day nature photography challenge on Facebook, I've been layering up and altering some photographs (couldn't stick with straightforwardly produced ones for long!) and thought I'd share them with you on the blog.

Left: Royal Tree 2, shot in England last month.
Right: Nature Through a Fence, based on ivy I shot this fall, layered with a close-up of my Insubstantiated drawing/sculpture/installation as well as a detail from a painting of mine.

There is a lot of beauty when you can see the details – just click on the images to see them larger. Do you find these interesting? If so please let me know in the comments :-)
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Teaching a Workshop at a Friend's Beautiful Studio

11/5/2015

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William takes in the stunning view through the studio windows.
Recently, when my friend artist Patricia Singer generously suggested I teach a workshop at her studio, I didn't have to think about it for long. Looking at these photos I think you'll understand why I and this small group have been having a wonderful time working in her space and our great luck that the days – and our view of them – have been glorious!

We've been exploring contemporary mixed media, working with photos and other digitized imagery in a variety of ways and combined with all kinds of traditional media.

Collage, working into prints (by drawing, painting, cutting, sanding, peeling, piercing and even embroidering) and trying out numerous image transfer techniques has kept everyone very busy and the days seem to fly by! At the end of each day we take a look at what some other artists have been doing along the same lines to see what's possible and get fresh ideas.

Not everyone has a studio large enough for a group to work in, but if you do, it can be fun and convenient (you don't have to schlep all of your materials somewhere else!). Please get in touch if you'd like to discuss the possibility. Depending on the time of year, my availability can be quite limited.
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Everyone hard at work, but having fun too! What you can't see in this shot is the big skylight over the table which means there is lovely light to work by.
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    Kim-Lee Kho

    As a visual artist I like nothing more than getting up to my elbows in paint or little plastic toys, or wading in at the deep end in pursuit of an idea. When I am not teaching others in a similar vein, you can find me researching, writing and noodling around in my studio, seeing where my latest lines of inquiry lead me.

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  • Home
  • Gallery
    • Burnt Offerings (2022) >
      • Sponsors: Thank you
    • My Father's Things (series)
    • Heartspace
    • A Full Heart
    • Subject to Limitation >
      • Boxed In
      • Expanding Media
      • Fences as Barriers
      • Containment
    • Skin
    • Face[t]s
    • [Un]Settled
    • Digital / Photo / Mixed
    • Painting
    • To See More
  • Shop
    • Interior Life series
    • Trees + Hidden Complexity
    • A Full Heart series
  • Courses & Events
    • Current + Upcoming
    • Virtual Studio Parties
    • Gallery Walk & Talks
    • Testimonials
  • Blog
    • News Archive
  • ABOUT
    • Biography
    • Statement
    • CV
    • Publications/Media
  • Contact