KIM-LEE KHO
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My Solo Show at Red Head Gallery Is Coming Soon!

4/24/2022

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I am burning the midnight oil getting my solo show ready to install next weekend. It will open on Wednesday May 4 and run through Saturday May 21, 2022, at The Red Head Gallery in downtown Toronto.

The title Burnt Offerings alludes to the ancient ritual of burning things whether as offering or sacrifice, as purification or as prayer.
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The concept for the show grew out of experiencing the loss of my father last year, grieving him and contemplating what we feel, and do to mourn, what we lose when we lose a loved one, how loss is the flip side of love, and how it ties into the larger cycles of life and death. Fire and ash are part of that cycle.

This show is both deeply personal and widely relatable, and I hope I am making it more poetic than heavy, so that it will touch you and cause you to reflect and also surprise you in various ways.

For the first time I will be documenting my show in a virtual 3-D format that will allow people unable to visit in person to have a more visit-like experience online. More on that later.

For the second time I am putting out a call for support, for people who love what I do or how I do it and are in a position to provide financial sponsorship, starting at only $10! I will create a separate post about that and link it here when it's ready.

Regardless of that, and in whatever way, I hope you will pay the show a visit, and send me your comments and questions too.

Please wish me luck as I work through the home stretch, when it becomes a matter of stamina really. 

​I can't wait to share this new work with you!

Burnt Offerings is part of the 2022 Scotiabank Contact Photography Festival.
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New Show: 'Heartspace Hotel' at the Gladstone Hotel Jan 25– Mar 5, 2020

1/26/2020

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'Heartspace Hotel' is my surprise solo show for 2020 (I haven't told anyone about it until the last week couple of weeks, because I didn't know about it myself, lol!).

Occupying the third floor of The Gladstone Hotel in downtown Toronto, an amazing boutique art hotel renowned for its high profile art & design events and exhibitions, this multimedia show features a new combination of my heart-based work seen at my 'Heartspace' and 'A Full Heart' solo exhibitions in 2019, some of which have only ever been shown once, and even a couple of pieces I've never shown before.

Artworks include my longest digital print ever at over eight feet long, shown only once before in March 2019 at Cedar Ridge Creative Centre's Studio Gallery. 

Also: many more prints, three of my large scrolls with giant image transfers, fibre-based work, paintings, abstract photography, and two more digital prints I've only exhibited once before.

The opening reception coincides with the one for the second floor exhibition so it's sure to be a happening evening – hope you can make it!
Opening reception:
Friday Jan 31, 7-10pm
​Artist talk: 7:30pm


Kim-Lee Kho: Heartspace Hotel
at The Gladstone Hotel
1214 Queen Street West
Toronto ON M6J 1J6

Front Desk: 416.531.4635 x 0
Dinner Reservations: 416.531.4635 x 7130
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Final Week to See Heartspace & Thank You to My Sponsors

11/17/2019

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Heartspace, my debut solo exhibition at The Red Head Gallery, is in its final week this Weds–Sat noon–5pm. I will be there for the final Saturday (Nov 23) all afternoon, or as close to it as I can manage!

After that the work comes down except for some of the small works which will be part of the group show that follows right after mine, #foxypopup.

Heartfelt thanks to my amazing sponsors!

I have thanked my sponsors in print at the show itself, but it's about time I thanked them here on my website.

They took some pressure off, lightening the load on my mind as I headed into, and worked away in, my studio, and they also made some things possible, thereby helping to make this show as interesting and diverse as my ideas called for.

Here are my generous sponsors: 
  • Miriam Snell
  • Josef (Joe) Rich
  • Abigail Johnson
  • Joanna Czub
  • The Conspiracy to Promote Artists
  • Ruth Austin
  • Nancy Moniz
  • Lindsay Isaac
  • Anne Cook
I also owe a very special thanks to Kal Honey, who helps me in every way imaginable. Thanks also to Tim Marshall who along with Kal installed the show so I feel happy every time I look at it!

Installation views of Kim-Lee Kho: Heartspace at The Red Head Gallery through Nov 23, 2019.

My Heartspace solo exhibition is in its final week, continuing through Saturday, November 23 at The Red Head Gallery.

​I'll be there in person on the final day, come and say hi! Open noon–5pm.
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Solo Exhibition: Heartspace Oct 30–Nov 23 at Red Head Gallery

10/10/2019

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You are invited to my first solo show at The Red Head Gallery, where I became a member in 2018.
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For more information about the content of the show, click here to see the exhibition page.

This show would be less than I’d hoped if not for the generous support of its/my sponsors.
Many thanks to all of the individuals, and one organization, who chose to support this project!

If you are curious about sponsoring new work, in any amount starting at just $10, please visit this page (click here) to find out more.
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My Artist Statement for 'Heartspace'

Heartspaces are not tidy. They are bloody and muscular and visceral. They throb with the rhythm of our life. As their chambers squeeze, then fill, they experience high and low tides in the space of a single beat.

Being human is not tidy. We are born from blood and viscera and the scream that gives us breath, while our deaths set in motion a rapid decay.
From beginning to end there is so much mess, in our lives, our psyches, our hearts, and our flawed selves. And yet there is so much opportunity for beauty, love, and connection.

We are an interconnected web, hidden, like the vast underground network that makes a forest. And like a forest, if we separate into smaller, divided sections, we all do more poorly.

In this show artist Kim-Lee Kho is interested in the visceral and emotional experience of our human hearts, of the life and connections we can find inside, outside and between our heartspaces. 
Heartspace is part of her ongoing exploration of the human heart: as repository for emotions, as metaphor, as physical structure; using it as a gateway to what our hearts mean to us. 

The work began with Kho’s fascination for three-dimensional medical models and antique anatomical illustrations on the one hand, and on the other with a stirring of emotion, which moved her hand to draw as a way of contemplating subject matter.

Heartspace explores these ideas in multiple media: drawing, painting, text, photography, digital, fibre, mixed media, film-based transfer prints, sculpture and the artist’s first zine.
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BIOGRAPHY
 

Kim-Lee Kho is a self-taught multidisciplinary Canadian artist, and former graphic designer/art director, exploring subjective experience as a gateway to broader human concerns. The daughter of both a scientist and an artist, Kho’s process and interests combine both influences, in sometimes unexpected ways.

Kho has participated nationally in exhibitions, residencies, and mentorships including at Renann Isaacs Contemporary Art (RICA) in Guelph ON, You Me Gallery in Hamilton ON, the Living Arts Centre in Mississauga ON, Evergreen Cultural Centre in Coquitlam BC, Shadbolt Centre for the Arts in Burnaby BC, and as part of a two-year travelling exhibition for the Art Gallery of Grande Prairie in Alberta. She is a multiple Ontario Arts Council grant recipient.

A feature artist in both the 2016 and 2018 In Situ multi-arts festivals, Kho developed large-scale installations in multiple media and live drawing performances for both events, held at the Small Arms Inspection Building (SAIB) in Mississauga ON. Her 2015 solo exhibition Chains Unlinked a multi-layered immersive installation exploring internal and external barriers through temporary mural drawing, video, textile, and sculpture, was at the Art Gallery of Mississauga.

In addition to her creative practice, Kho is a popular and knowledgeable arts instructor. She teaches at Fleming College’s Haliburton School of Art + Design, and Neilson Park Creative Centre in Etobicoke. She also teaches workshops, gives talks, live demonstrations, critiques, and juries exhibitions, at the invitation of numerous art groups, centres and galleries in Ontario.

Heartspace is Kim-Lee Kho’s debut solo exhibition as a member of The Red Head Gallery.

October 30 to November 23, 2019
Opening Reception:
Saturday, November 2, 1–4pm
​with artist talk at 2pm

The Red Head Gallery
401 Richmond St. West
Ground floor, Suite 115
Toronto, ON  M5V 3A8

Gallery hours:
​Weds–Sat 12–5pm

Watch for sneak peeks on social media!
Instagram
Facebook

 
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Looking Back at My Own Early Foray into Contemporary Portraiture

5/13/2019

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I’ve been thinking a lot about contemporary portraiture lately, having just given a new talk on the subject, followed by a new weekend workshop.

I’ve been drawing or painting or otherwise making portraits my entire life, and it remains an important aspect of my work.

Nowadays a lot of my portraits are photo-based, as you can see in my posts and website. I got thinking about when I first started working on photo-based and photo-digital portraits, and realized it was for my first solo show as an adult, entitled Face[t]s of Valerie, in 2007. All of the portraits were of my friend Valerie, alone or sometimes in combination with me.

This image was kind of the title piece for the show, and the deepest I explored digitally in it, (the show was multimedia, because I am nothing if not a “multi” kind of artist, lol!). It’s called The Many Facets of Valerie.

In it you can see numerous shots from the bigger shoot, allowing me to show what interested me: the living face of my subject, its variability and expressiveness. “I am large, I contain multitudes” wrote Walt Whitman, as we all are.

So it’s a seminal, developmental piece. It started a train of thought that hasn’t stopped since, though it has branched off and grown in many directions.

19"x13” digital print. And yes, it’s available.

Does this kind of post, deep-diving into an individual piece, interest you? If so, please let me know in the comments. 
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The Many Facets of Valerie by Kim-Lee Kho is a photo-digital portrait that was seminal in my development. From 2007.
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Preparing for a Big Show

3/6/2019

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Scale model for planning my solo show in the three exhibition rooms at Cedar Ridge Creative Centre.
I am hard at work preparing for my solo show 'Kim-Lee Kho: A Full Heart' at Cedar Ridge Creative Centre March 9–21, 2019. The opening reception will be Sunday, March 10, 1–4pm.

All the prints are made, including the two large new ones (scroll down for a sneak peek of one of them), which I can't wait to see up and share with everyone who's able to visit!

The gallery at Cedar Ridge comprises three main rooms in a historic mansion owned and run by the City of Toronto. There is dark wood trim and features everywhere, a big old fireplace, high ceilings (around 12ft), and baseboards that are at least a foot tall. Full of character, this is a very different kind of space than any I've shown in before.

Because the rooms are full of complications like multiple doorways, built-in bookcases, areas of windows and a big fireplace; and because this is my biggest solo show ever, where I'll be presenting up to 40 pieces/objects, a scale model was absolutely essential to help me plan.

My favourite and always-generous helper Kal Honey put it together for me then helped me plan and curate the show.

Following a site visit when we check and tested a number of aspects, particularly related to hanging methods and details about the space, there will be some adjustments made to our plan. That's why the final number of works isn't quite settled.

I'm continue to work on a sculpture that I hope to include in the show, (working with chicken wire so my hands are getting rather scratched despite mostly wearing gloves), and there are still so many details to look after!

If you can join us for the opening this Sunday, or visit the show anytime through Thursday March 21, I'd be delighted! Hope you can make it!

Please share any questions or comments below.
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Cedar Ridge Creative Centre
225 Confederation Drive
Toronto, ON  M1G 1B2
(416) 396-4026
Lacy white on red symmetrical image based on bare tree branches to express branching vascular systems. Artwork by Kim-Lee Kho, 2019.
This lacy image is a digital print, just over 5ft long. You will find it hanging over the fireplace at Cedar Ridge Creative Centre March 9–21, 2019.
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SOLD! And Yes My Artwork Is For Sale :-)

1/26/2019

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My Untitled (Layered Trees) just sold!
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It’s always nice to hear that someone saw my work and both liked it enough and was in a position to purchase it so they could take it home.

“Untitled (Layered Trees)” is one of two artworks sold recently at the Take 2 exhibition at Neilson Park Creative Centre, which has its closing reception this Sunday, 2–4pm. Click here for more details. (On a sidenote, the reception is also an early-bird opportunity to register in-person for spring courses!)

This photo-based mixed media piece is 8” x 8”, on a wood panel, and layers a mounted photo-digital print under an image transfer from a piece of film that I spent considerable time altering by hand before applying.

Trees are a recurring motif in my work now that began to appear regularly once I started my anatomical hearts body of work, because the tree branches are so beautifully analogous to the branching behaviour of veins and arteries. As so often happens, our inner world reflects the outer one, because branching behaviour is a fundamental design structure in nature; it's one that I have become enchanted by. 

I am drawn to the relationship between branches but also to the complexity, which reflects what I experience so often in my own mind and out in the world as I navigate a profusion of sensory inputs and relational ones as well. Complexity can become overwhelming, which some artists (eg Julie Mehretu) communicate (and create) very well.

It's interesting then that for this piece I chose to concentrate on editing the complexity, leaving only small touches of it in deliberate places.

Well that’s all very nice, but none of what I said really addresses the slightly tongue-in-cheek headline I gave this post! 

That headline is rooted in my realization this year that it sometimes isn't clear that my work is almost always available for sale. Some of the more unusual formats might require a little adaptation or customization for a new, permanent home, but most of my work transfers quite easily. 

It’s also true that sometimes when I’ve made a lot of new work for a show or event (like a festival) I’ve worked so hard right up until the installation that I haven't had a chance to work out pricing in time for the opening. So that can be another issue, but it’s only a temporary one :-) 

I’ve had enough people ask that I thought I should clear that up! 

​(Continues below...)
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The four prints I'm exhibiting in Take 2 at Neilson Park Creative Centre through January 27, 2019.
Since I have a couple of solo shows coming up this year – March 9–21 at Cedar Ridge Creative Centre’s gallery (where I will have three rooms in their historic mansion) and in November at The Red Head Gallery in the wonderful 401 Richmond creative arts hub in downtown Toronto – I will be making more new work. My plans include a couple of large pieces but some small and medium as well, including (if my idea works out) some multiples for the Red Head show. Multiples, like print editions, are more affordable forms of artwork than a one-offs like a painting. 

I’ll definitely be showing sneak peeks and works-in-progress on my social media channels, so keep your eye out there! Especially Instagram where you'll find me at @kimleekho.

•  •  •  •  •
Have you ever bought original artwork (includes editions or multiples), or do you have a collection? If so, what inspired/inspires you to make the purchase and take it home (or office, or give to someone)? Was it a feeling, was there a sense of recognition, or something else? 
I'd love to hear your thoughts in the comments below.
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My Hearts in Place Installation, Part Two

12/16/2018

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A screenshot from the video below showing an early stage of the installation process. Artwork: Kim-Lee Kho. Video: Nettie Seip 2018
Instead of writing more in this second blog post about my installation at the In Situ 2018 festival, (to see part one click here), I will speak to you via the video below, shot and edited by my charming colleague photographer/videographer Nettie Seip, to whom I owe many thanks!

You'll see me on-site in the room during the early stages of installation as I talk about the work and my intentions for it. Then you get to tour through it at night with it fully installed while the festival was in progress.

​Please take a look and let me know what you think! 

Perhaps after the holidays I will put together some time-lapse video shot over the three nights I spent drawing the Hearts in Place mural in front of the festival audience. I will upload it to my YouTube channel – please click on the link and if you like it, consider subscribing :-)
Video shot and edited by Nettie Seip, www.nettiephotography.com
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'Hearts in Place': My Installation at In Situ 2018, Part One

11/30/2018

4 Comments

 
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'Hearts in Place', my room installation at the 2018 In Situ Festival. Most of the room is shown, but you can't see what's at the back centre, behind the "veined" panels, nor what's behind me as I photographed this. All artwork: Kim-Lee Kho, this photo: Kim-Lee Kho
Part two of this blog series is up!
​To go directly to it, click here.


The 2018 In Situ multi-arts festival took place November 8–10 at the Small Arms Inspection Building (a former WWII munitions factory now partially refurbished as a creative hub) in Mississauga, Ontario.

'Hearts in Place' was a whole-room installation comprised of: ten 7-foot high scrolls, eight of which were transfer-printed (a hand-pulled process), two were hand-painted; two paper-and-fibre "veined" panels (centre); two veiling textile panels; one built-onsite sculpture/assemblage which you can see a sliver of light from at the centre of this photo; and the wall behind me as I photographed the room panorama was a mural drawing which I drew a portion of as a live performance each of the three evenings of the festival.

Like the first In Situ festival in 2016, this was an extraordinary experience and a creative high, but with the benefit of central heating and running water!

I am still exhausted from the experience of preparing all of this new work, performing and then taking it all down just days later. As a result I will keep this entry shorter than I might have, but will share with you some photographs. Thanks go to the numerous – generous – photographers and friends, (all credited individually), who made this possible, documenting when I could not.

​Many thanks to the many people who came out to experience the festival and visited my room! If you were there, please let me know what you thought in the comments below.
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Photo: Kim-Lee Kho 2018
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Photo: Jennifer Vong
Kim-Lee Kho stands in front of a 8-foot whimsical heart sculpture made of rope lights, curving silver tubes, metal mesh and tree branches, and next to a very large close up of a face, backlit.
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Hearts in Place installation artwork by Kim-Lee Kho, 2018. Photo (left): Sandra Robson, photo (above): Kal Honey.
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Photo: Gabriella Bank from Sanborg Productions Inc
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Photo: Elaine Whittaker
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Photo: David Ahn
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Photo: David Ahn
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Spring Returns (along with this blog) – A New Artwork

4/17/2017

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Spring Returns by Kim Lee Kho, photo-digital, 2017. Prints up to 8.5 x 25.5".
It is Spring, at last. Today has bloomed sunny, full of the busy singing of birds, scrabbling of squirrels.

The trees have fat buds just on the verge but not yet open, meaning we can see the blue sky through graceful networks of branches.

I am recovering from bronchitis, and after my first good night's sleep (and despite my sore ribs) I was moved to make this new photo-digital image “Spring Returns”. It makes me think of cherry and plum blossoms, with the promise (or threat) of spring rain in the clouds behind.

The detail views allow you a closer look.

​Happy Spring everyone!


UPCOMING EXHIBITION:
I have a spring solo show of paintings May 8–20 at Otto Art in The Junction neighbourhood in Toronto, so if you've been waiting for a show in a more central part of the city, this is the one! 
​For more details click here.
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Spring Returns by Kim-Lee Kho, detail view 1.
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Spring Returns by Kim-Lee Kho, detail view 2.
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    Kim-Lee Kho

    As a visual artist I like nothing more than getting up to my elbows in paint or little plastic toys, or wading in at the deep end in pursuit of an idea. When I am not teaching others in a similar vein, you can find me researching, writing and noodling around in my studio, seeing where my latest lines of inquiry lead me.

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  • Home
  • Gallery
    • 2025 Facial Expressions >
      • Crumpled 11
    • Burnt Offerings (2023)
    • Burnt Offerings (2022) >
      • Sponsors: Thank you
    • My Father's Things (series)
    • Heartspace
    • A Full Heart
    • Subject to Limitation >
      • Boxed In
      • Expanding Media
      • Fences as Barriers
      • Containment
    • Skin
    • Face[t]s
    • [Un]Settled
    • Digital / Photo / Mixed
    • Painting
    • To See More
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