As I re-build my business, not quite from the ground up, (the foundation remains, but the structures above must be replaced), I find I am spending a lot of time in the realm of not-knowing.

Life under pandemic has changed our rhythms and routines, our customary locations, and how we spend our time. My husband and I (but especially him) used to spend way too much time driving from place to place, because our work was in-person but also in a variety of locations.

Now by building up our tech and online skills, there is so much new and in flux but so much less by way of complications and travel. We just have to adjust to frequently re-arranging our home and studio to accommodate all the new virtual events and courses.

But looking deeper than that, I realize I am accustomed to spending a lot of time in that place of not-knowing, whether I'm developing new work for an exhibition, or at an earlier stage even, when I am excavating in order to discover new ideas in my studio, it is imperative that I enter that psychological space, or I will not get to what matters or what's new. Neither I nor my work would grow.

Other artists may work differently, but I think most have to work like that at some level, (and not just artists either!) or they would not make discoveries. And without locating something new, something fresh, where would art be? It would not move forward, nor would it deepen.

Spring is a season of the new: new growth, new life. And as this weekend is one of sacred spring festivals, Passover and Easter, it may be the perfect time to contemplate this.

​Please share your thoughts in the comments below.

What a day! I'm feeling so full of gratitude for the many people who came out for the artist talk and opening reception for my 'Heartspace' solo exhibition at The Red Head Gallery in Toronto.

It was so packed that on more than one occasion I had to act like a bus driver and urge everyone to move further inside to make room for the new arrivals!

Wonderful to connect and re-connect with many familiar faces, colleagues, friends, students, sponsors, and even family!

I gave the group a guided tour through the artworks – so many of which merit a little background or additional explanation to enrich the experience rather than replace the personal encounter – covering conceptual, material and