A Look Back at an Old Painting

The discoveries 
​I made in 2006 continue to influence me now.

Back in 2005/2006, when I was taking courses at Toronto School of Art, I had weekly portrait and figure painting sessions (both!). It was a great experience as I got to try so many ways of working with paint and with representation – all quite apart from the course content I have to say!

The discoveries I made then continue to influence me now.

The painting here is entitled 'What Remains' and was painted from life during one of these classes.

The canvas is 30" x 10", a pretty extreme proportion, one I took on as a challenge, to see how to compose for it successfully.

I started with a dark ground (base layer), which worked well with the strong directional lighting used for this pose. That made the shadows very dark, though (never one to be limited by mere reality!) I lightened some areas just as I put strong colour in some areas, to draw the eye and make this a painterly experience not one of just recording.

Something else I was playing with here was the paint. I made it into a semi-transparent glaze (acrylic), which creates greater depth than opaque paint. I combined that with experimenting with the marks I used to build up the solids (or semi-solids).

​The paint marks I used created a lot of surface movement (her flesh doesn't sit still even though she does) and a mottled effect that led to the title, as I thought it could suggest, not just decay but more philosophically, the dissolution of what began as solid. Like life!

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