Anybody who's taken an experimental course with me (or my daily practice workshop) will be familiar with the fact that I liken myself to a “mad scientist” in my studio. It's a fun way of encapsulating the playful but serious work of trying, experimenting, finding out what doesn't work in order to find out what does.
My studio is generally full of experiments in various stages of development and observation.
In the photo above are three of the ingredients I am working with for some art-chemistry experiments. The chalk and the gum arabic I just purchased this weekend and can't wait to get mixing with, but first I have to re-prime part of the wall in my stairwell (see previous post on that by clicking this text).
I will keep you posted!
By-the-way, if experimenting like a “mad scientist” sounds like fun, it is, and if you're not doing enough of it yourself, why don't you set aside some playtime in your “laboratory”?
As a visual artist I like nothing more than getting up to my elbows in paint or little plastic toys, or wading in at the deep end in pursuit of an idea. When I am not teaching others in a similar vein, you can find me researching, writing and noodling around in my studio, seeing where my latest lines of inquiry lead me.
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